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Children's film - Wikipedia. A children's film, or family film, is a film genre that contains children or relates to them in the context of home and family.

Children's films are made specifically for children and not necessarily for the general audience, while family films are made for a wider appeal with a general audience in mind. This provides an underlying biological framework for what may fascinate a child and also impose limitations on the same. These can be seen in certain universal features shared in children's films. While cultural aspects shape how various films are created, these films refer to underlying universal aspects that are innate and biological.

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The Hollywood Reporter is your source for breaking news about Hollywood and entertainment, including movies, TV, reviews and industry blogs. Min May 14 2017 6:10 am I loved this drama.entertainment value aside, it got me thinking about a few things.when Eun Tak told her mom's friend to inform her mom.

According to Bazalgette and Staples, the term . However, the difference between the two terms can be seen in casting methods adopted by American and European films respectively. In American family films, the search for a child protagonist involves casting children that meet a specific criterion or standard for physical appearance. In contrast, European children's films look to cast children who appear .

Similarly, in American family films, the adult cast can be composed of well known actors or actresses in an effort to attract a wider audience, presenting narratives from an adult or parental perspective. This is shown through the casting, content of the plot, editing, and even Mise en sc. According to Bazalgette and Staples, a fine example of a family film is Honey, I Shrunk the Kids (1. European children's film with a similar plot, the title would be Sis, Dad Shrunk Us, explaining that European children's films are told from the child's perspective, portraying the story through the various emotions and experiences of the child. Because of these differences, American family films are more easily marketable toward domestic and international viewing audiences while European children's films are better received domestically with limited appeal to international audiences. United States. The period immediately before and during World War II saw the release of three significant family films in the U.

S. Stream Re:View with english subtitles 2K. These were Snow White and the Seven Dwarfs by Disney, Gulliver's Travels by Fleischer Studios, and Pinocchio (1. Disney.! Four of the top ten highest- grossing films of the decade were family films: The Sound of Music, One Hundred and One Dalmatians (1. The Jungle Book (1. Mary Poppins. These include .. And Now Miguel (1.

Doctor Dolittle (1. The Learning Tree (1. This trend of films inspired the 1. America including Beauty and the Beast (1. Matilda (1. 99. 6). Also, in the motion picture Empire of the Sun (1. He is wounded not by bullets, but by the madness and cruelty of war and separation from his parents.

They have been ranked as some of the best family entertainment over the past generation. The 1. 97. 0s and 1. Star Wars (1. 97. The Empire Strikes Back (1. Return of the Jedi (1.

The 1. 99. 0s also saw additional live- action family films such as Back to the Future Part III (1. Back to the Future franchise into this decade, Teenage Mutant Ninja Turtles (1. Home Alone (1. 99. Home Alone 2: Lost in New York (1. Hook (1. 99. 1), Alan & Naomi (1.

Jurassic Park (1. Steve Zaillian's, Searching for Bobby Fischer (1.

Super Mario Bros (film) (1. Mrs. Doubtfire (1.

The Flintstones (film) (1. Babe (1. 99. 5), Jumanji (1. Dalmatians (1. 99. Fly Away Home (1.

Vegas Vacation (1. October Sky (1. 99. Significant Pixar computer animated films of the decade were: Finding Nemo (2. The Incredibles (2. Wall- E (2. 00. 8), and Up (2. While significant Dream. Works computer animated films of the decade were: the Shrek film series (2.

Madagascar (2. 00. Madagascar: Escape 2 Africa (2. Kung Fu Panda (2. In 2. 01. 0, 7 of the top 1. Animated films in this genre include: the conclusion to the Toy Story franchise, Toy Story 3 (2. Tangled (2. 01. 0), Despicable Me (2. How to Train Your Dragon (2.

The year 2. 01. 1 contained the sequels Kung Fu Panda 2 and Cars 2, as well as The Smurfs. The next two years would see other successful family/children's films, such as Ice Age: Continental Drift (2.

Madagascar 3: Europe's Most Wanted (2. Frozen (2. 01. 3), Despicable Me 2 (2.

Monsters University (2. In 2. 01. 4, there were 4 very successful family films: The Lego Movie, Rio 2, Mr. Peabody & Sherman, and How to Train Your Dragon 2. In 2. 01. 5, there were a few very popular films: Disney's live- action adaptation of Cinderella, two Pixar films, Inside Out and The Good Dinosaur, the sequel Hotel Transylvania 2 and the Despicable Me spinoff prequel, Minions. Zootopia and Finding Dory, both from Disney. Disney also did a live- action remake of the 1. The Jungle Book, which earned stellar reviews and earned over $9.

Illumination Entertainment also had a great year, with nearly $1. Sing, as well as The Secret Life of Pets. It is also revealed that a theatrical My Little Pony film would be released in Fall 2. In the 1. 93. 0s and 1. Moscow. Several films were imported from this studio to the United Kingdom including The Magic Fish, The Land of Toys, and The Humpbacked Horse. In the 1. 96. 0s, important European children's films include the British- Italian romance film Romeo and Juliet (1. French film L'Enfant sauvage (1.

French film directors Louis Malle and Fran. Louis Malle made the films Zazie dans Le Metro (1.

Murmur of the Heart (1. Pretty Baby (1. 97. The works of Truffaut include The 4. Blows (1. 95. 9), The Wild Child (1.

Small Change (1. 97. According to Wojcik, the contrast between films like Mary Poppins and Mouchette shows the ambiguous or schizoid nature of the depiction of children in the 1. The 1. 99. 0s include the important Russian films Burnt by the Sun (1. The Thief (1. 99.

Russia of 1. 91. 7. In 2. 01. 0s the Belgian, French language film, The Kid with a Bike (2. Braithwaite's real experiences), and if.. Some children's motion pictures belong to the category of Avant Garde films because of the unconventional and often controversial treatment of the subject. It shows the child with non traditional images and the social changes that has occurred with family. Other children's films from this region also include Abhayam (1.

Shelter, by Sivan. It was awarded the Silver Elephant and Special International Jury & CIFEJ Jury Awards at the 7th International Children's Film Festival. It depicts the cruel way in which adults treat children in India by showing the hard life of street children in Mumbai (also called as Bombay). India (1. 98. 7); both directed by Shekhar Kapoor. Other important children's films include the reproduction of the German Fairy tales of the Grimm brothers by the Israeli film companies Golan Globus and Cannon Films in their series called Cannon Movie Tales, which includes: The Frog Prince (1.

Aileen Quinn, Helen Hunt, and John Paragon; Beauty and the Beast (1. John Savage; and Puss in Boots (1. Christopher Walken. From Japan, Miyazaki's Spirited Away was voted as the number one film that must be seen by 1. That list also included the Maori motion picture Whale Rider (2. Another important children's film is Son of Mary (1.

Hamid Jebeli and set in Azerbaijan. It deals with the relationship between a Muslim boy and an Armenian priest. This includes the Canadian children's film Bach and Broccoli (Bach et Bottine) (1. Argentine film Summer of the Colt (1.

Andr. 4–5.^Wojcik- Andrews 2. Grodal Torben (2. Embodied Visions, Oxford University Press.

P 2. 7^Boyer, Pascal; Li. Precaution Systems and action parsing in developmental, pathological and cultural rituals. The Behavioral and Brain Sciences. Affective Neuroscience: The Foundations of Human and Animal Emotions.

New York: Oxford University Press. Deleuze and the Non- Human. Hannah Stark and Jon Roffe.^ ab. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2.

Wojcik- Andrews 2. Archived from the original on November 2.

Retrieved May 3, 2. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2.

Wojcik- Andrews 2. Wojcik- Andrews 2. Wood, Robin (January 1. Hollywood from Vietnam to Reagan.

New York: Columbia University Press. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2.

Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2. Archived from the original on May 3, 2. Retrieved September 1. Wojcik- Andrews 2. Goldstein, Ruth M.; Zornow, Edith (September 1, 1.

The screen image of youth: movies about children and adolescents. Metuchen, NJ: Scarecrow Press. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2. Wojcik- Andrews 2.

Guardian News: The Kid with a Bike (2. March 2. 01. 2) https: //www. Wojcik- Andrews 2. Wojcik- Andrews 2.

Giannetti Louis (1. Understanding Movies.

New Jersey: Prentice Hall. Wojcik- Andrews 2. Children's Film Society, India.

Bradshaw, Peter (March 1. In front of the children: screen entertainment and young audiences. British Film Institute. The Hollywood Family Film: A History, from Shirley Temple to Harry Potter. Brown, Noel, and Babington, Bruce (eds.) (2. Family Films in Global Cinema: The World Beyond Disney.

Wojcik- Andrews, Ian (2. Children's films: history, ideology, pedagogy, theory. Garland reference library of the humanities ; Children's literature and culture. New York: Garland Pub.

Horror film - Wikipedia. A famous scene from the 1. German horror film Nosferatu. A horror film is a movie that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Inspired by literature from authors like Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror films have existed for more than a century. The macabre and the supernatural are frequent themes.

Horror may also overlap with the fantasy, supernatural fiction and thriller genres. Horror films often deal with viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, gore, torture, vicious animals, evil witches, monsters, zombies, cannibals, psychopaths, natural or man- made disasters, and serial killers. The Cave of the Demons, literally . In 1. 90. 8, Selig Polyscope Company produced Dr. Paul Wegener's The Student of Prague (1.

The Golem trilogy (1. Robert Wiene's The Cabinet of Dr. Caligari (1. 92. 0), Arthur Robison's Warning Shadows (1. Paul Leni's Waxworks (1. The first vampire- themed movie, Nosferatu (1. Bram Stoker's Dracula. Other European countries also, contributed to the genre during this period.

Some notable examples include The Hunchback of Notre Dame (1. The Phantom of the Opera (1. The Cat and the Canary (1. The Unknown (1. 92. The Man Who Laughs (1. Many of these early films were considered dark melodramas because of their stock characters and emotion- heavy plots that focused on romance, violence, suspense, and sentimentality. Directors known for relying on macabre in their films during the 1.

Maurice Tourneur, Rex Ingram, and Tod Browning. Ingram's The Magician (1.

Tod Browning's Dracula (1. James Whale's Frankenstein (1. The Old Dark House (1. Some of these films blended science fiction with Gothic horror, such as Whale's The Invisible Man (1. German films. Frankenstein was the first in a series of remakes which lasted for years. The Mummy (1. 93. Egyptology as a theme; Make- up artist.

Jack Pierce was responsible for the iconic image of the monster, and others in the series. Universal's horror cycle continued into the 1. B- movies including The Wolf Man (1. The once controversial Freaks (1. Hyde (Paramount, 1. Jekyll's transformation before the camera.

Both appeared in three of Val Lewton's atmospheric B- movies for RKO in the mid- 1. The Body Snatcher (1. Two subgenres began to emerge: the Doomsday film and the Demonic film. Japan's experience with Hiroshima and Nagasaki bore the well- known Godzilla (1. Hollywood directors and producers found ample opportunity for audience exploitation through gimmicks. House of Wax (1. 95.

D film to draw audiences, while The Tingler used electric seat buzzers in 1. Filmmakers continued to merge elements of science fiction and horror over the following decades. The film conveyed the fears of living in the Atomic Age and the terror of social alienation. During the later 1.

Great Britain emerged, as a major producer of . The Hammer company focused on the genre for the first time, enjoying huge international success from films involving classic horror characters which were shown in color for the first time. Drawing on Universal's precedent, many films produced were Frankenstein and Dracula remakes, both followed by many sequels. Other British companies contributed to a boom in horror film production in the UK during the 1. Peeping Tom (1. 96. France continued the mad scientist theme, while Italian horror films became internationally notable. American International Pictures (AIP) made a series of Edgar Allan Poe–themed films.

Films in the era used the supernatural premise to express the horror of the demonic. The Innocents (1. Henry James novel The Turn of the Screw. Meanwhile, ghosts were a dominant theme in Japanese horror, in such films as Kwaidan, Onibaba (both 1.

Kuroneko (1. 96. 8). An influential American horror film of this period was George A. Romero's Night of the Living Dead (1. Produced and directed by Romero on a budget of $1. An Armageddon film about zombies, it began to combine psychological insights with gore. Distancing the era from earlier gothic trends, late 6.

Low- budget splatter films from the likes of Herschell Gordon Lewis also gained prominence. The Exorcist (1. 97. Robert Wise's film Audrey Rose (1. Alice, Sweet Alice (1. Catholic- themed horror slasher about a little girl's murder and her sister being the prime suspect.

Another popular occult horror movie was The Omen (1. Antichrist. Invincible to human intervention, Demons became villains in many horror films with a postmodern style and a dystopian worldview. Another example is The Sentinel (1. Hell. The film includes seasoned actors such as Ava Gardner, Burgess Meredith, and Eli Wallach and such future stars as Christopher Walken and Jeff Goldblum. During the 1. 97. Italian filmmakers Mario Bava, Riccardo Freda, Antonio Margheriti, and Dario Argento developed giallo horror films that became classics and influenced the genre in other countries.

Representative films include: Black Sunday, Blood and Black Lace, Castle of Blood, Twitch of the Death Nerve, The Bird with the Crystal Plumage, Deep Red, and Suspiria. The ideas of the 1. Wes Craven's The Hills Have Eyes (1. Tobe Hooper's The Texas Chain Saw Massacre (1.

Romero satirized the consumer society in his zombie sequel, Dawn of the Dead (1. Canadian director David Cronenberg featured the . Next, was his third published novel, The Shining (1. Stanley Kubrick, which was a sleeper at the box office. This psychological horror film has a variety of themes; . This film is an example of how Hollywood's idea of horror started to evolve. Murder and violence were no longer the main themes of horror films.

During the 7. 0s and 8. Another classic Hollywood horror film is Tobe Hooper's Poltergeist.

Poltergeist is ranked the 2. Chicago Film Critics Association. Both films, The Shining and Poltergeist, involve horror being based on real- estate values. The evil and horror throughout the films come from where the movies are taking place.

In The Shining, Danny Torrance (the child in the film) can sense supernatural forces. This is because the hotel where the film takes place was once a burial ground for a Native American Indian tribe. This is very similar to the film, Poltergeist. Carol Anne, who is the five- year- old child, can sense the supernatural spirits that have taken over her house. These bizarre spirits come from the graveyard, which the house is built on. Both films are an example of the evolution of Hollywood horror films.

However, the film is now known as one of Hollywood's most classic horror films. Carrie became the 9th highest- grossing film of 1. King himself did not like The Shining, because it wasn't very faithful to the 1. A cycle of slasher films was made during the 1. John Carpenter created Halloween (1. Sean Cunningham made Friday the 1. Wes Craven directed A Nightmare on Elm Street (1.

Clive Barker made Hellraiser (1. This subgenre would be mined by dozens of increasingly violent movies throughout the subsequent decades, and Halloween became a successful independent film. Another notable '7. Bob Clark's Black Christmas (1. The boom in slasher films provided enough material for numerous comedic spoofs of the genre including Saturday the 1.

Student Bodies (1. National Lampoon's Class Reunion (1.

Hysterical (1. 98. Steven Spielberg's Jaws (1. Orca (1. 97. 7) and Up from the Depths (1. Jaws is often credited as being one of the first films to use traditionally B movie elements such as horror and mild gore in a big- budget Hollywood film. John Carpenter's 1. The Thing was also a mix of horror and sci- fi, but it was neither a box- office nor critical hit, but soon became a cult classic. However, nearly 2.

The 1. 98. 0s saw a wave of gory . A significant example is Sam Raimi's Evil Dead movies, which were low- budget gorefests but had a very original plotline which was later praised by critics. Other horror film examples include cult vampire classics such as Fright Night (1. The Lost Boys (1. Near Dark (also 1.

In 1. 98. 4, Joe Dante's seminal monster comedy Gremlins became a box office hit with critics and audiences, and inspired a trend of . The slasher films A Nightmare on Elm Street, Friday the 1.

Halloween and Child's Play all saw sequels in the 1. Wes Craven's New Nightmare (1. Silence of the Lambs (1. New Nightmare, with In the Mouth of Madness (1. The Dark Half (1.

Candyman (1. 99. 2), were part of a mini- movement of self- reflexive or metafictional horror films. Each film touched upon the relationship between fictional horror and real- world horror. Candyman, for example, examined the link between an invented urban legend and the realistic horror of the racism that produced its villain. In the Mouth of Madness took a more literal approach, as its protagonist actually hopped from the real world into a novel created by the madman he was hired to track down. This reflective style became more overt and ironic with the arrival of Scream (1. In Interview with the Vampire (1.

The horror movie soon continued its search for new and effective frights. In 1. 98. 5's novel The Vampire Lestat by author Anne Rice (who penned Interview..'s screenplay and the 1. Lestat inspired and nurtured the Grand Guignol style and theatre. Two main problems pushed horror backward during this period: firstly, the horror genre wore itself out with the proliferation of nonstop slasher and gore films in the eighties.

Secondly, the adolescent audience which feasted on the blood and morbidity of the previous decade grew up, and the replacement audience for films of an imaginative nature were being captured instead by the explosion of science- fiction and fantasy films, courtesy of the special effects possibilities with advances made in computer- generated imagery. Peter Jackson's Braindead (1. Dead Alive in the U.